How and Why.
I could hobble for a few minutes at a time, so I was okay on my own. The weather was lovely and I remember thinking, gleefully if slightly fearfully, that this was the time.
So I started my first novel. Plunged in, working hours each day, foot up on the coffee table, the chairs on the screened in back porch or further outside, almost unheeding of hummingbirds buzzing by me.
The premise? I didn’t really have one. I work a lot on visuals and that’s where I started. When I lived at Honeymoon Bay on Vancouver Island in the 1980’s there was a cabin on the lake around the corner from our house (which was not on the lake). Like my heroine, I couldn’t really see the cabin.
“Her foot hit the brake when she saw the cabin by the lake. All that was visible through the trees was a crumbling chimney and broken window, half-hidden by overgrown lilacs . . . A rope hung across the head of the lane that wound through tall fir trees toward the cabin. Nailed to one massive trunk was a faded No Trespassing sign. Squinting to read it, she decided it was so faint it could almost be considered and invitation …”
The cabin is still there, and I have still not seen it, which was probably for the best because for years I hung stories on that chimney. There were other things that sparked stories for me too and I just started rolling them all together. I was a dark room photographer at that point, in the ‘80’s, and so is my heroine. In some ways she is my alter ego, for instance she is on the brink of becoming a successful photographer – something that never happened to me, not in that way. In other ways, most other ways, we are totally different.
I was amazied how the story emerged from somewhere in the ether with what felt like no help of my own. Although the place, which I called Fortune Bay, was very like Honeymoon Bay, the people were not based on anyone I knew there. The characters emerged fully formed and were revealed to me as the story progressed. I would say to people, “And it turns out she was”, or “had been”, or “her mother was”, and they would say, “What do you mean ‘It turns out’!?” So much of it came as a surprise to me. I couldn’t concentrate on reading stories in real books, I just wanted to know what happened next to my characters. The next chapter was out there, I just had to sit down and type it.
Now this doesn’t mean the story came together quickly. I made every mistake in the book, in all the books and I did read them all. Am still reading about how to write. They say to write about what you know and writers out there have complied. If you, as a beginning writer, haven’t availed yourself of this fount of information, by all means do, either from the library or buy them. Most are very inexpensive. In another blog entry I will list a few books I have found particularly helpful.
So what would I say to someone who has been playing with an idea? Plunge in. If worst comes to worst, there is always the delete button.
And who knows, like me, you might get carried away.